Blog, by Shannon

Cover of The Time Machine

Recently, I had the pleasure of reading the long-neglected novelette, The Time Machine by H.G. Wells. If you haven’t read it, I highly recommend that you do. It will take one or two sittings to get through. I don’t recommend it so much for the story, which can border on the ridiculous, but for Wells’ use of language, especially in his melancholy descriptions of a dying Earth:

I cannot convey the sense of abominable desolation that hung over the world. The red eastern sky, the northward blackness, the salt Dead Sea, the stony beach crawling with these foul, slow-stirring monsters, the uniform poisonous-looking green of the lichenous plants, the thin air that hurts one’s lungs: all contributed to an appalling effect. I moved on a hundred years, and there was the same red sun—a little larger, a little duller—the same dying sea, the same chill air, and the same crowd of earthy crustacea creeping in and out among the green weed and the red rocks. And in the westward sky, I saw a curved pale line like a vast new moon.

Before he gets to this point, however, the Time Traveler encounters people he calls the Eloi, who were apparently descended from humans. The Eloi are small, childlike, androgynous, untroubled by intellectual curiosity or a desire to do much of anything all day. He later learns that these passive Eloi are analogous to cattle; they are cared for by the other human descendants, the Morlocks, who live below-ground and only come out at night.

I’m currently reading Air by Geoff Ryman, set in the fictional country of Karzistan, located in the Western region of China. The Eloi are the ethnic minority of Karzistan, now oppressed and almost driven out of existence, confronting in the novel a far advanced technology that they can’t understand. I’d gotten almost halfway through the novel before I remembered where I heard the term Eloi before. The name is also used in two science fiction novels I haven’t read yet: Expendable by James Alan Gardner and Feed by M.T. Anderson.

Most interesting to me, though, is discovering that the cultural commentator Gordon P. Clarkson has referred to mass popular culture as “Eloi culture,” because he claims that it is creating a society of unthinking passive consumers of “meaningless trivia.” Such as the trivia found in this article, for example.

For more:

• Eloi on Wikipedia and the fascinating list of human-derived fictional species
• Worth Reading: The Time Machine (readmorebooks.wordpress.com)
• BP & Obama As Morlocks And Eloi (windsofchange.net)