This week, I got the opportunity to attend an author reading at my local bookstore, Flyleaf Books. The book is a children’s picture book, The Cat’s Pajamas, written and illustrated by Daniel Wallace, who wrote Big Fish and is a local-to-me author.
What I did not know is that Wallace’s picture book is the first book to be published by a new crowd-funded publishing company, Inkshares. What they are doing is a new model for publishing that gives different kinds of writing the chance to be funded and published, and also allocates a greater share of royalties to writers. Because publications are funded by audience interest, Inkshares can take risks and bring books to market that might not otherwise see the light of day.
If The Cat’s Pajamas is any indication of their products, Inkshares is going to be a great source of high-quality books. Both my 6-year-old and I enjoyed the reading and loved the book (it was my son’s first author signing!).
And, oh yes: “itty-bitty kitty underpants!”
This year, for the first time, I tried reading around a theme or focus. The focus I picked was mysteries, a genre I have not paid much attention to since I devoured them as a youngster. To tell the truth, I really didn’t get focused until around August, so most of my reading was random and haphazard as per usual, but I did read more mysteries than I normally would (normal being zero).
I am enjoying it. I finally read some classics I had been meaning to get around to, I dabbled in a couple of the sub-genres, I tried a mystery set in my hometown, and I rounded it out with several mysteries from around the world. I know–the year is not done yet. I still have quite a few mysteries loaded on the Kindle and waiting for me.
To be clear, I didn’t read only mysteries. But I did make a list and tried to focus on them. I read with intent, which was to re-educate myself in the genre.
I think it might be fun to do this every year. Next year, I’m considering reading through time and reading speculative fiction by women as two potential focuses.
Since I love making book lists, I thought it might be fun to come up with some mini-courses that a reader could do in a year or less to learn more about a particular genre or type of literature. The courses could be organized in several ways. I could pick representative works or authors from the earliest examples through to the present day and get a broad overview. Or I could focus on reading the best example from several different sub-genres. Finally, I could narrow the selection to a focus within the genre, such as reading works by women or by minority writers. If I put a few of these mini-courses together, I’ll post them.
Have you ever tried reading around a theme or focus for a specific period of time?
Over on that most wonderful bookish online community, LibraryThing, entire groups and challenges are dedicated to helping us pick what to read next from the gigantic wishlist of everything we’ve ever wanted to read. My favorite way is to join in on theme challenges, selecting a book from a randomly proposed theme like “books with disasters in them” (Rivers, my next read) or even “a book that has blood on the cover” (NOS4A2, my last read).
It appears that readers everywhere have this very perplexing problem of picking what to read next and have devised all sorts of solutions. There are website services like this one or this one or this one, librarians can provide custom recommendations, or go the simple route and create a book jar. Also an attractive option for displaying next to the bookshelves.
How do you decide what to read next?
In the last few years, services like Kindle Direct Publishing and Lulu have made it incredibly easy for writers to self-publish, which I think is mostly a good thing for writers and readers. Self-publishing enables writers to build and audience and demonstrate their talents, and it puts more voices out there than ever before. Some terrific writers have gotten their start through self-publishing, such as Hugh Howey (Wool) and Andy Weir (The Martian: A Novel).
But self-published books have already acquired a tarnished reputation, and with good reason: They are all-too-often riddled with errors. Spelling mistakes, typos, punctuation misuse, grammar abuse, word confusion, incorrect names and facts–when a reader encounters too many of these in the first few pages of a book, she will stop reading, and with good reason. How can a writer expect readers to pay good money for an unprofessional product? It’s not enough to run a spell-checker. Writers who aspire to the professional level must show some respect for their craft and knowledge of the language that is their medium. They must proofread.
We’ve all seen errors in professionally published books as well, especially e-books, but the amount and types of errors aren’t nearly so egregious. Professional publishing assures the reader that someone has read the book beside the writer and has probably caught most of the major goofs. Self-published writers have to give readers a very good reason to dip their toes in the sea of dreck and seek out their books. They have to be even better than their professionally published competitors.
The bare minimum self-published writers can do is hire a professional proofreader or copyeditor to give their books a thorough vetting. If your book is riddled with errors, your ideas simply won’t shine through.
In a recent post, I discussed trying to read books written by women. This led me to consider which women authors I would recommend, and I came up with a list of books by women that I think are entertaining and enlightening reads. Of course, I am not the only person to have come up with such a list, and if you are so inclined, you can find 50, 100, or even 500 more books by women to fill up your “to read” shelf.
Here is my list (my absolute favorite books are starred and my favorite women authors are bolded):
Before I started journaling my reading, in 2001, I just read whatever caught my eye at the bookstore without any sort of plan whatsoever. Over the decade since I started journaling, I’ve gradually become more purposeful in my reading, and if I look back over my journals (now on LibraryThing), I can see a steady improvement in the books I choose to read reflected in higher ratings and fewer abandoned books.
At the beginning of the year, I did an exercise where I identified my top 10 favorite books of all time. I noticed that 7 out of 10 books were written by women (and of the 3 on my list written by men, one of those men was gay), but in my general reading, I’m still reading 2 books by men for every 1 book by a woman, according to LibraryThing stats. I decided to get even more purposeful in my reading and read mostly women, choosing books that are similar to my top 7 favorite books/authors. I still have a lot of unplanned reads, but the deliberate planning has been helping me discover new-to-me authors and break out of my ruts. This month, for instance, I’m reading 4 sci-fi/fantasy books all by women I have never read before:
My goals to stretch even further would be to read more women of color and more authors from countries other than the US/Canada/Britain. I would also like to read more gay authors and more authors of color generally. As a former English major, I find that I have about had my fill of the white male voice, even though there are many white male authors whose books I enjoy. But I want to hear from some other voices and open up my world even more.
For further reading: