This week, I’m recommending a book I stayed up until the wee hours last night finishing: Descent by Tim Johnston. On a family vacation in Colorado, an eighteen-year-old girl goes for a run on a deserted mountain road, accompanied by her younger brother on a mountain bike, when the worst thing happens: the boy is left injured, and the girl has disappeared, plummeting her family into a nightmare. This book was so much more than the escapist thriller I was expecting. It never goes in the expected direction. Johnston’s writing style is spare but evocative, and he does a remarkable job of breathing life into the wild mountain setting and all the characters, large and small, allowing the reader to fully inhabit this book’s world. While the subject matter is undeniably rough, the story itself has a quality of myth, addressing themes of fate and chance and what it means to be a hero. This book enthralled me, and I’m sure it will stay with me for a long time.
I had been trying to recommend a new read each month, and I still fell behind on my recommendations. So of course I’m upping my goal to recommending a new read each week! Starting with this one…
Does Ursula K. Le Guin write bad books? If so, I haven’t found them. While this collection of four novellas is not my favorite by her–that honor still goes to her classic, Left Hand of Darkness–I think Four Ways to Forgiveness may be her best written and most emotionally affecting book. Set on neighboring planets, Werel and Yeowe, the novellas form a study of relationships: between a man and a woman, between men and women, between enslavers and enslaved, between natives and foreigners.Le Guin has structured this book perfectly, beginning with a slow and subtle introduction to this society and gradually building to an emotional crescendo. As we read these stories–which, at their cores, are all love stories–we learn the history of a civilization that mirrors our own in uncomfortable ways.
This month I am recommending The First Fifteen Lives of Harry August by Claire North. When Harry August dies, he is reborn as himself at the same time and to the same parents, but with the memories of his previous lives intact. When he learns that another person like him is manipulating history for his own selfish ends and accelerating the end of the world, Harry knows that he must stop him. This novel reminded me of Life After Life by Kate Atkinson and The Bone Clocks by David Mitchell. Recommended for anyone who likes time travel or slipstream stories.
In the introduction to the short story collection Troubled Daughters, Twisted Wives that she edited, Sarah Weinman laments that “an entire generation of female crime writers…have faded from view.” Many of these writers, popular and lauded in their day, have been forgotten over time. Weinman has selected stories by fourteen of them, ranging in publication date from the early 1940s through the mid-1970s, to represent these forgotten grand dames of noir, who no doubt inspired today’s popular writers like Gillian Flynn and Tana French.
The collection, neither too short nor too long, is something of an awakening. Some of the authors, such as Patricia Highsmith and Shirley Jackson, will already be familiar to many readers, but here are many more terrific authors of dark suspense fiction just waiting to be discovered. Each story is excellent, well-crafted, and compelling, with an appropriately noirish mood, and each story stands apart, examining and exposing the underside of mid-century domestic coziness. I savored these stories like a box of fine chocolates.
Fortunately for us, this is the digital age, and a perusal of Amazon reveals that many of the contributors’ longer works have been revived in electronic form for the Kindle–at reasonable prices, too. I foresee many hours of happy reading time ahead, inspired by the authors included in this terrific collection.
Stories like this are, to me, omens of the apocalypse: Stop. Using. Periods. Period. – The Washington Post
Jane Friedman gives really great advice on whether to self-publish or go the traditional route. Here’s a key point:
I see some writers self-publish mainly because they lack patience with the querying and submissions process of traditional publishing. Or they want the instant gratification of getting their work on the market. But again, this is one of the worst reasons to self-publish. I find many authors on my doorstep because they thought “Why not self-publish now and shop it around later to agents/editors?” — and ended up disappointed with the results. If you have any interest whatsoever in traditional publishing, exhaust all your agent/publisher options first. Get thoroughly rejected (as much as that may hurt), and then self-publish. It’s very, very hard to go in the other direction successfully.