Another good piece on Get Out: My reaction when I saw it was that Get Out was at heart a zombie movie that hearkens back to the Haitian origin of the zombie myth and the fear of slavery that created it.
Gems recently unearthed from my online reading include:
George Saunders on what writers really do when they write is, hands down, the best description I’ve read of the writing process.
If you somehow missed the news, The Handmaid’s Tale is being newly adapted for television and is back on bestseller lists. Here’s Margaret Atwood on what her seminal novel means in the age of Trump.
I saw Get Out over the weekend.This movie works because it’s not only a chilling and entertaining horror movie, but it also comments in a meta way on the tropes of horror movies while exposing the societal issues we truly fear, which is what good horror should do. Here’s an interesting analysis on how Get Out exposes the myth of a postracial America, but beware–it has spoilers galore, and it’s best seeing this movie without know much about it.
Ever wonder why you never hear about Midwestern literature in the same sense as the Southern novel or the Western? I enjoy reading books with a strong sense of place. But I must confess that while I avidly track my reading of Southern, Western, and New England literature, and I can easily see the themes and connections running through those books, I never track my Midwestern reading. It just doesn’t seem to hold as much interest for me, as the Midwest doesn’t seem to be as much of a “character” as these other region are. Why literature and pop culture still can’t get the Midwest right.